Zoe Kravitz and Riley Keough Film 'Die Alive' Together in NYC

Production on Die Alive, the eagerly anticipated new feature from writer-director Megan Park, is well underway in New York City, with on-set photos offering a first glimpse of two of its leads deep in the work. According to Just Jared, Zoe Kravitz and Riley Keough were photographed filming scenes together on October 15th, reinforcing what promises to be a richly layered collaboration between two performers who have known each other their entire lives.

A Director with Personal Stakes

Park, who earned considerable acclaim for her emotionally precise debut The Fallout (2021), has described Die Alive in terms that immediately signal tonal ambition. In an interview with Deadline, the 40-year-old filmmaker invoked the pairing of Stepmom and Big Daddy as a kind of emotional shorthand — two films from the late 1990s that each, in their own way, weaponised domestic comedy against genuinely wrenching emotional material. It is an unusual but revealing combination, suggesting a story comfortable with holding laughter and grief in the same frame.

Park elaborated that the project is her most personal to date, rooted in themes of parenthood, ageing, love, and loss. "It feels more personal in a way that I'm excited but also nervous about," she said. "Hopefully it's something that makes people laugh really hard, and also cry, if we can get it right." For a filmmaker still early in her feature career, that degree of vulnerability on the record speaks well of her investment in the material — much as audiences have recently witnessed other major talents putting personal stakes front and centre in their projects. Sandra Bullock's return to Practical Magic 2, for instance, similarly speaks to the renewed appetite for films with genuine emotional DNA.

On Set: Kravitz, Keough, and the Chemistry of Old Friendship

The on-set photographs tell a small but telling story of their own. Kravitz, 37, was dressed in a gray jacket, denim capris, and a red bandana tied through her hair — a quietly characterful look. Keough, also 37, wore overalls and a prosthetic baby bump, a wardrobe detail that opens up immediate questions about her character's arc within the film's exploration of parenthood.

Between takes, the two women were photographed laughing and talking with Park, a tableau that speaks to the collaborative ease that can exist when a cast and director are genuinely aligned on a project's emotional ambitions. It is precisely the kind of creative atmosphere that tends to yield performances with real texture.

The friendship between Kravitz and Keough predates their careers entirely — their parents traveled in the same social circles, making theirs a bond forged in childhood rather than on a studio lot. They previously shared screen time in George Miller's Mad Max: Fury Road (2015), a film so formally audacious it remains one of the defining action works of the last decade. Seeing them reunite under a director of Park's particular sensibility is a genuinely intriguing proposition.

Keough's Busy Season

For Keough, Die Alive is one of several high-profile projects currently in motion. She was recently photographed filming intimate scenes alongside Aaron Taylor-Johnson for the upcoming Netflix series Enigma Variations, suggesting a particularly productive stretch for the actress. It places her in company with a broader wave of performers taking on ambitious, multi-platform projects simultaneously — a pattern visible across the industry, from Gal Gadot landing on Netflix with In the Hand of Dante to Priyanka Chopra navigating the unexpected success of The Bluff.

What to Expect

With Park at the helm, a screenplay described as deeply personal, and two leads whose off-screen rapport is both authentic and longstanding, Die Alive has the kind of foundational conditions that tend to produce emotionally resonant work. No release date has been confirmed yet, but the New York production suggests the project is moving at a considered pace — exactly what this sort of material demands.