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Best New Songs This Week: Wild Pink, Ibeyi, Yard Act & More

Ava Thompson
Music Editor · 5 hours ago

From a nearly seven-minute indie folk epic to Chicago drill bangers, this week's freshest tracks prove music is firing on all cylinders right now.

Best New Songs This Week: Wild Pink, Ibeyi, Yard Act & More

The last week of June delivered a stacked run of new music — sprawling, intimate, explosive, and everything in between. According to Consequence, the standouts ranged from patient indie folk to aughts-flavored drill, and the cumulative effect is a playlist that refuses to sit still.

Wild Pink Sets the Bar Even Higher

John Ross has a habit of making other songwriters look like they're still warming up. "Box Store," the second single from the forthcoming Wild Pink album Still Coming Down, continues that tradition with effortless grace. The track is catchy and heartfelt in equal measure, anchored by a harmonica line that hits harder than it has any right to. Ross layers in references to strip mall AC units, '90s films, and character actor William Fichtner — because of course he does. It's the kind of hyper-specific, deeply human songwriting that turns casual listeners into devoted fans overnight.

Ibeyi Chase Love Across Time Zones and Traditions

French-Cuban twin duo Ibeyi have been defying genre gravity for over a decade, and "Hurry Hurry" — a lush, Afro-Cuban slow burn lifted from their upcoming album Offering — shows zero signs of creative fatigue. Their harmonized vocals stretch lovingly over the track's unhurried rhythm, reaching for something cosmic while staying grounded in the kind of love that only makes sense when you're standing right next to someone. It's warm, aching, and impossible to shake. Fans of artists pushing emotional boundaries might also want to check out SZA and Steve Lacy Get Vulnerable on New Single 'Is It Cool?' for a similar emotional depth.

Philly Duo @ Go Long and Win

Indiana indie folk pair @ are announcing their sophomore album Autosmile, due October 16th via 4AD, with a title track that runs nearly seven minutes and earns every second. Minimal and cyclical, the song leans on harmonized vocals and deliberate repetition rather than ornament — until a mid-song guitar solo arrives like a detour you didn't know you needed. It's a stunning piece of patient songwriting, full of love, doubt, and barely-contained feeling.

Siichaq Gets Ominous on 'Cattle Driver'

Kennie Mason's project Siichaq has unveiled "Cattle Driver," a lead single for the upcoming album The Righteous Sword, and it is not a gentle listen. Buzzing alarm tones and a thumping low end frame Mason's lyrics about losing identity in a digital landscape — a theme that feels more urgent by the week. Anyone troubled by music's increasingly artificial turn should also read SZA Slams 'Disgusting' AI Music, Says Tools Exploit Black Artists, because the conversation Siichaq is opening on wax is very much happening off it too.

Mello Buckzz and Petti Hendrix Bring the Heat

Chicago drill artist Mello Buckzz drops her new EP PRETTY OPP with the kind of confidence that makes every bar land like punctuation. Standout cut "Be Gone" thumps and warbles with an early-2000s aesthetic that evokes Aaliyah and Left Eye without ever feeling like pastiche — it's nostalgia weaponized with modern precision. Meanwhile, Milwaukee rapper Petti Hendrix is throwing a different kind of party on "ApeShit," a pop-punk-adjacent, moshpit-ready banger that slides between rap and rock with the ease of someone who's never heard the word "genre" used as a limitation. It's the kind of track that belongs on a Tony Hawk's Pro Skater soundtrack — and that is high praise. For more on artists bending genre conventions, see how Pharrell Debuts New Songs With Quavo, Lil Baby at LV Show is keeping rap's creative energy unpredictable.

Alan Vuong Finds His Story in a Single Song

Southern California artist alan vuong releases his new EP HEAVEN SENT ME today, and opening track "HEAVEN SENT" does the heavy lifting of establishing exactly who he is. Guitar amp feedback gives way to a dreamy indie soundscape that blends 2010s California indie rock with classic '90s pop — two eras that shaped him, now fused into something unmistakably his own. It's a quietly confident debut of a new creative chapter. Olivia Rodrigo Launches All-Women Festival Daisy Chain Fields is another reminder of how California's music DNA keeps producing something fresh.

All told, this was a week that rewarded patience, noise, and everything in between.

PinkProfilePinkSinger & songwriter

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