Pharrell Debuts New Songs With Quavo, Lil Baby at LV Show

Pharrell Williams turned the Louis Vuitton runway into a listening party, premiering new collaborations with Quavo, Lil Baby, YoungBoy and Angelique Kidjo.

When the catwalk becomes a listening party
Pharrell Williams has never drawn a hard line between his music and his fashion work, and his newest Louis Vuitton show erased it almost entirely. According to Rolling Stone, the producer used the house's Menswear Spring-Summer 2027 presentation on June 23 in Paris to debut a fresh batch of music, turning what would normally be a runway soundtrack into a high-profile premiere event in its own right.
Since taking the creative reins of Louis Vuitton menswear, Williams has consistently treated each show as a multimedia happening rather than a simple parade of clothing. The SS27 outing pushed that instinct further, staging the collection at the Cite Internationale Universitaire de Paris and scoring it with live orchestration and choir vocals. The effect blurred the boundary between a fashion soundtrack and a proper single rollout, leaving the audience listening as closely as they were watching.
The new music
Rolling Stone reports that the program leaned on a roster of hip-hop heavyweights and one global star, with Williams handling production duties behind the boards. The standout debuts included:
- "Haavin" by Quavo, produced and co-written by Williams
- "Dead Fresh" by Lil Baby
- "Simulation" by YoungBoy Never Broke Again
- "Bando" by Angelique Kidjo, featuring Williams and Quavo
The collaborations span generations and genres, from chart-topping American rappers to Kidjo, the Beninese star widely regarded as one of Africa's most celebrated voices. Pairing those names on a single bill is the kind of cross-cultural lineup that has become a signature of Williams' productions.
A cinematic staging
The presentation was built for scale. Per Rolling Stone, the tracks were recorded at the Louis Vuitton Studio, then brought to life in the room by L'Orchestre du Pont Neuf, conducted by Thomas Roussel, alongside the vocal group Voices of Fire. The combination of recorded production and live orchestral and choral performance gave the new songs a grand, cinematic quality that a standard playback simply could not match, reinforcing the sense that this was a concert as much as a fashion show.
Why it matters
The move underscores how thoroughly Williams has fused his two careers into one platform. Instead of holding new productions for a traditional album cycle, he is unveiling them in front of fashion's most influential crowd, generating buzz across both industries in a single evening. It is a strategy that few figures could pull off, precisely because it depends on being credible in both worlds at once.
The arrangement carries clear benefits on every side:
- For artists like Quavo, Lil Baby and YoungBoy, a Pharrell-produced premiere on the Louis Vuitton stage delivers exposure well beyond a conventional release.
- For Kidjo, it places her alongside major rap names in front of a global luxury audience.
- For Williams, it reaffirms his standing as a tastemaker who can summon A-list collaborators essentially on demand.
As Rolling Stone's coverage makes clear, the SS27 show functioned as much as a music event as a fashion one. In doing so, it cemented Pharrell's singular position at the intersection of the two industries, where a runway can double as a stage and a clothing line can launch a song.
ProfilePharrell WilliamsAmerican musician, producer and creative directorRelated

Justin Bieber Drops Surprise 'SWAG Live From Coachella' Album
Justin Bieber surprise-dropped SWAG LIVE FROM COACHELLA (WEEKEND I), a 22-track document of his record-shattering 2026 festival headline set.

Cardi B Leads 2026 BET Awards Nominations and Set to Perform
Cardi B heads into the 2026 BET Awards as the night's most-nominated artist with six nods, and she's also among the headliners booked to perform.

SZA and Steve Lacy Get Vulnerable on New Single 'Is It Cool?'
SZA and Steve Lacy reunite on 'Is It Cool?', a raw, confessional duet about commitment fears and self-sabotage that kicks off the rollout for Lacy's first album in four years.